But then the reader gets to watch as assumptions Yale was living with fall away. In the second storyline, told 30 years later, Fiona is trying to track down her daughter who has joined a cult. The hunt takes her to Paris, where she reconnects with a photographer friend of her brother who captured life in “Boys Town”, the gay enclave in Chicago.
So often, I am not a fan of dual storylines. The current one is all too often merely a vehicle for the historical one. But not here. Fiona is coming to terms with the decisions she’s made. Did she sacrifice her family’s happiness to help her friends? I struggled with why Claire hated her mother so much. Her reasoning seemed blown out of proportion to Fiona’s faults. But then, children often hold their parents to impossibly high standards.
Makkai has done a wonderful job creating main characters I truly cared about. And both settings are richly detailed and easy to envision. It was a reminder of how awful things were when AIDS first cropped up, when there was little understanding and no cures. As another review said, Makkai did a brilliant thing by drawing parallels with the Lost Generation after WWI. This was written before the Covid pandemic, but younger generations may also find parallels with it.
I loved what Makkai had to say about survival, especially that sometimes life can be too long, when you are the last one left and the only one remaining to tell the stories, really hit home. It’s a poignant story which will really stick with me.
I listened to this and found Michael Crouch to be a great narrator.
Written by Rebecca Makkai, the book is essentially two separate stories, told in different times and places. The first story takes place in Chicago from 1985 to 1992 in a tight-knit gay community as the carnage caused by the new and mysterious disease called AIDS is just becoming known. Men are dying and men are terrified—and men are trying against the odds to keep on living their lives. The second story is set in 2015 in Paris as the sister of one of those first AIDS victims in that ’80s Chicago crowd, is desperately searching for her estranged, grown-up daughter who has seemingly disappeared. There are several unexpected story twists that are truly masterful because they are subtle—but oh so piercing.
How these two stories merge is part of the author’s genius and the book’s brilliance—and the last page gave me goosebumps. Yes, the book is laced with tragedy and deep sadness, but the two stories are so compelling that I still wanted to immerse myself in them. I highly recommend this book!